D A N I E L      K U K L A
 
M A N - E A T E R

04  M A Y  -  08  J U N E
 

OPENING RECEPTION
04 May     2-5 PM

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DANIEL KUKLA’S ARTISTIC PRACTICE SEEKS TO EXAMINE THE INTERSECTIONS BETWEEN THE PHOTOGRAPHIC FORM, PUBLIC MYTHOLOGY, AND ECOLOGY. MAN-EATER, MAY 4 - JUNE 8, FEATURES A SUITE OF MIRRORED PALIMPSESTS CONSTRUCTED FROM POLAROID EMULSIONS, FOUND AND HISTORIC, THAT THE ARTIST DIGITALLY LAYERED AND THEN REPHOTOGRAPHED. THESE PHOTOGRAPHIC MEMBRANES ARE DELICATELY LAYERED ATOP AND ABUT AGAINST ONE ANOTHER ON MIRRORED SURFACES SHAPED LIKE TRADITIONAL DAGUERREOTYPES. THE MIRRORED DAGUERREOTYPE FORM RECALLS WINDOWS, PORTALS, AND BYZANTINE ICON WORKS BUT SPEAK TO A MORE IMPLICATED RELATIONSHIP BETWEEN IMAGE AND VIEWER. KUKLA HAS SELECTED IMAGES DEPICTING POPULAR SOCIALLY CONSTRUCTED MYTHS OF VIOLENCE BETWEEN MAN AND NATURE SUCH AS THE TIPU TIGER FROM THE KINGDOM OF MYSORE AND TSAVO MAN-EATING LIONS OF THE KENYAN-UGANDAN RAILWAY. THESE FICTIVE STORIES FUNCTION AS IMAGINARY ANALOGS IN WHICH THE THE CARNAGE THAT OCCURS DURING THE ESTABLISHMENT OF EMPIRE IS DEPICTED AS BEING CONDUCTED BY BEASTS EXACTING THEIR OWN HORRIFIC VENGEANCE. THE ENDURING POWER OF THESE PUBLIC MYTHS ARE REARTICULATED THROUGH FILM AND NEWS OSSIFYING A NARRATIVE OF NATURE VERSUS PUBLIC. KUKLA’S WORKS ASK THE VIEWER TO REFLECT ON AND INSIDE OF THESE CULTURAL AND PHOTOGRAPHIC METAPHORS WHILE ALSO INTERROGATING THE ASSUMED DOCUMENTARY NATURE OF THE MEDIUM OF PHOTOGRAPHY.
 

DANIEL KUKLA IS A GRADUATE OF THE INTERNATIONAL CENTER OF PHOTOGRAPHY’S (ICP) PROGRAM IN DOCUMENTARY PHOTOGRAPHY AND PHOTOJOURNALISM. PRIOR TO HIS PHOTOGRAPHIC EDUCATION HE ATTENDED THE UNIVERSITY OF TORONTO AND RECEIVED HIS BACHELORS OF SCIENCE IN BIOLOGY AND EVOLUTIONARY ECOLOGY. HIS WORK HAS BEEN EXHIBITED AT THE INTERNATIONAL CENTER OF PHOTOGRAPHY, THE NATIONAL ART GALLERY OF THE BAHAMAS, RISD MUSEUM OF ART, APERTURE FOUNDATION, MASIN MUSEO DE ART DE SINALOA, AMONG OTHERS.

-JOHN ARTHUR PEETZ
 

THE EXHIBITION IS ORGANIZED BY CURATOR MATT NASSER.
matt@emptycirclespace.com


 

THE EMPTY CIRCLE IS EXCITED TO ANNOUNCE

The exhibition of new work by

 

Claudia Doring Baez and Robert James Anderson

at

Scope NY 2019

during Armory Week

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Please visit us at Booth #079

March 7th - 10th

Metropolitan Pavilion

125 W 18th St, New York, NY 10011

hours

Thursday March 7th, VIP Preview  3pm - 9pm

Friday, March 8th  11am - 8pm

Saturday, March 9th  11am - 8pm

Sunday, March 10th  11am - 7pm


 The Empty Circle Presents

Ingo Swann at Scope Miami Beach

December 4-9, 2018

Booth A09


The Empty Circle is pleased to present a curated booth of paintings by the late artist Ingo Swann. An acclaimed psi-researcher and author, Swann participated in over a hundred academic and government-backed research studies, which investigated human psychic powers as a reality – one that modern science systematically trivialized as unfounded or abnormal.

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Swann pioneered the skill of “remote viewing,” a psychic ability that allowed one to see physically distant locations, such as the surface of planets. When the CIA discovered the existence of Soviet psi-spies at the height of the Cold War, they turned to Swann and the Stanford Research Institute (SRI) to train a group of military personnel in remote viewing, with the goal of creating their own psychic spies. This project, code named Stargate, ran from 1978 to 1995. During this period, Swann was told that his findings would never be shared with the public, out of the fear that civilians might begin to harness their psychic abilities to dismantle the status-quo. Swann's sense of repression was further compounded by the fact that he was a gay man living within a homophobic culture. Art, however, allowed Swann to freely express both his psychic inclinations and his sexual desires.

The paintings included in the booth – spanning the early 1960s to the 1980s – illustrate the unique way that Swann viewed the world. After abandoning his dream of commercial success in the late 1950s, Swann continued to paint only what gave him joy: primarily, the energy that he saw radiating from the people around him. Swann saw this energy- chi, aura, force - as uniting all living things to one another. He believed that if people were to harness their extra-sensory perceptions, to see these forces as he could, the world would change for the better. For this reason, this booth includes works from throughout his life that depict energy radiating from figures in rays, flames, mandalas, and halos. His subjects range from the mythological and ancient to hippies and hustlers. The latter of which, he may have seen outside of his home and studio on the Bowery in Manhattan. Also included are cosmic and metropolitan landscapes - the synthesis of Ingo’s fantastical vision and experience of the streets around him and the stars above. 

This booth is a rare opportunity to see Swann's artworks, many of which have never been exhibited. When compelled by society to repress his power and desires, Swann refused, choosing instead to use his art as a way to freely express himself, and in so doing, to compel others to find their authentic selves by reconnecting with the energy that courses through us all.


Ingo Swann (1933-2013)

Swann was born in Telluride, Colorado in 1933. Since 1970, Swann has been interviewed or profiled in dozens of magazines, including Time, Reader's Digest, Smithsonian and Newsweek. He has published more than ten books on various psychic subjects such as remote viewing aliens on the Moon and Earth, how individuals can develop their future-seeing abilities, and the intersection of sexuality and psychic energies. His artwork is in the collections of The National Air and Space Museum, Edgar Cayce’s Association for Research and Enlightenment (A.R.E.), The American Visionary Art Museum and the Leslie Lohman Museum of Gay and Lesbian Art. His works have been included in “CLEAR," an exhibition at Gagosian, Los Angeles in 2014, "The Rainbow Serpent" at Gagosian, Athens in 2015 and “Ingo Swann: A Remote View” at La Mama Galleria, New York in the summer of 2016. Swann passed away in New York City in 2013. He is survived by his sister and several nieces, nephews and grand nieces and nephews.

Curator Matt Nasser: matt@emptycirclespace.com